Tom ([info]tomnoir) wrote,
@ 2009-07-13 10:35:00
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Entry tags:culture, reading

enduring literature
I'm of the opinion that the literary movements of the first half of the twentieth century did us no favors. Not only did a lot of the books produced by modernism suck, but they carried along with them this bizarre conceit that we should like them because they were so bad.

Possibly we should extend the blame back to their predecessors? I object to the Romantics on ethical and philosophical grounds (ever since reading Plagues of the Mind) but at least those people knew how to tell a story. Tess of the d'Urbervilles may be maudlin and overwrought, but it does have characters, sentence structure, and a plot, and for that we should applaud it.

This modern fallacy that good writers can and should chuck all these things out the window is dwarfed only by the one that says that readers who don't get the deep inner meanings buried in the resulting mess must be card-carrying members of the bourgeois. If you're bored or annoyed or disgusted by hundreds of pages of tortured inner monologue written in a fractured style, then YOU are to blame!

I'm not of the opinion that one should never have to make an effort in literature. Struggling through some of the giants of literature is a noble endeavor and will arguably make you a better person. But the idea that a book can't be good unless it's a struggle? That's poison.

Ahem.

I could rant on about this topic at length, but this is really just a preamble to this wonderful list I found via Crof's Writing Fiction Blog: Fired From The Canon. Literary blog The Second Pass has compiled a list of books by literary giants that you should feel no compunction about skipping. Faulkner, Virginia Woolf and Cormac McCarthy make the cut (or don't), among many others!

I have been fortunate enough to have been spared all the books on this list*, and for most the argument seems strong for continuing in my ignorance. The only exception is One Hundred Years of Solitude by Gabriel García Márquez. Based on everything I know about it, I think it's something I would like, and perhaps more importantly, something I need to read regardless.

What about you? Are there any books on that list that make you beg to differ? Any books that you would add to it? Go!

* I have sort of a sense of smell that instinctively warns me away from books and films that I won't enjoy. My experience is that this internal early warning system tends to be fairly accurate. It's not simple luck that I've never tried to read On The Road.




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[info]ginnyz
2009-07-13 04:42 pm UTC (link)
I'm with you - I like plot, and I'm not ashamed to admit it. That said, I don't begrudge authors playing around with different ways to tell a story, but there's the rub. I like stories, which is why I read books and to the extent that your book is so out there that it's no longer a story, well, I'm probably not interested. And I agree with you that it's simply untrue that an easy read must not be very good; there's a one-word rejoinder to anyone who argues otherwise: Hemmingway.

That said, I disagree that one should never have to make an effort in literature. Sometimes a little effort on the part of the reader makes the story even more interesting to her. The most readily available example I can give actually comes from film - who didn't enjoy Momento? Unfamiliar method of story-telling that confuses you at first, but is understandable if you put in the effort, which is well worth it in the end.


As for the link, "Fired From The Canon" is an awesome title, and a periodic round of layoffs from the canon is surely warranted.

Now.

White Noise - Read it in college and liked it, nominally. I don't care much either way on this.

Faulkner - I've never attempted Absalom, but Lights in August is one of the very few novels that I've attempted to read and failed. I still want intend to succeed with that one some day, though, because it still seems like an interesting challenge to me.

Marquez, McCarthy, Lawrence - haven't read

On the Road is one of the other few novels that I attempted and failed at. The difference with this one is I never intend to finish. Hated it. Fire it!

Franzen, Dos Passos - Haven't read.

I haven't read Jacob's Room, but I thoroughly enjoyed Mrs. Dalloway.

And where I'll raise the biggest ruckus is with Tale of Two Cities, which is my favorite Dickens of all time (yes, more favorite than Great Expectations) mostly because it's hilarious. I don't know why the author describes it as serious above all else. On the contrary, it has serious themes but the story is totally a hoot and, as the author points out, it's quite short. No reason not to read it.

I'd be tempted to add Moby Dick to this list, but I've been assured by people I trust that I only hated it because I was forced to attempt to read the thing in one week when it really deserves an entire semester.

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[info]tomnoir
2009-07-13 04:52 pm UTC (link)
I probably wasn't as clear as I should have been - I don't think that it should NEVER take any effort to read something. I've read some effort-intensive books in my day that were very much worth it. I just strongly oppose the idea that writing something that is difficult to digest and impossible to enjoy automatically equates to Literature with a capital-l.

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[info]ginnyz
2009-07-13 05:03 pm UTC (link)
agreed

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[info]ginnyz
2009-07-13 05:41 pm UTC (link)
I'm thoroughly embarrassed to realize that when I was defending A Tale of Two Cities, I was thinking of Hard Times, which is the real favorite of mine. I've not actually read Tale. Oops.

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[info]tomnoir
2009-07-13 11:59 pm UTC (link)
I haven't read either, so your secret is safe with me!

Dickens has just never been my speed.

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[info]ginnyz
2009-07-13 07:31 pm UTC (link)
Ok, and here are the books I would fire:

PRIDE AND PREJUDICE by Jane Austen (1813)
MOBY DICK by Herman Melville (1851)
DAISY MILLER by Henry James (1878)
HEART OF DARKNESS by Joseph Conrad (1899)
THE HOUSE OF MIRTH by Edith Wharton (1905)
ON THE ROAD by Jack Kerouac (1957)

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[info]jmcphers
2009-07-13 11:37 pm UTC (link)
I have just read two books by Garcia Marquez (Love in the Time of Cholera and Chronicle of a Death Foretold). His style is certainly a bit polarizing but I find his prose strangely hypnotic. His characters have depth and the whole magical-realism bit is not nearly as overdone as you'd think. I haven't read One Hundred Years of Solitude, though...

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